deluxetoaster:

sonsofsauron:

deluxetoaster:

where did this website’s sudden obsession with skeletons come from

From inside ourselves.

fcugn no first of alll;, you do not come into my house with your bullshit skeleton puns do u wanna fucking fite I could take like 5 shitty skeltons don’t test me

 
287,247 plays!
 
fat women: *gets shit on by peers, media, the fashion industry, products and marketing*
skinny women: *praised by literally everyone*
skinny women: *doesn't say shit while fat women are being put down*
Nicki: fuck skinny bitches
skinny women: what the FUCK what htE FUCK??? YOU ARE Nt gonna get ANYhwer by shMING ANY body type...we have to LOVE evyer,,,one!!!!1111
 
 

officialcrow:

alvaroarbehoa:

*watches Jon Stewart’s comments on Ferguson* hey look it’s a white man getting heaps of credit and adulation for saying the exact same shit that black people have been saying for weeks now. how unexpected.

hey whats cool is in ur reaches at trying to look profound on tumblr u overlooked the fact that he’s in a position where people listen to him and using that to get the message that black people have been trying to get out and subsequently ignored

 
roachpatrol:

genderoftheday:

Today’s Gender of the day is: Trogdor the Burninator

me

roachpatrol:

genderoftheday:

Today’s Gender of the day is: Trogdor the Burninator

me

 
gamko:

Oh, no, of course, you’re right. My mistake.

gamko:

Oh, no, of course, you’re right. My mistake.

 

nugqets:

me and my friends on halloween

image

 
allthingslinguistic:

xkcd: Wikipedia article titles with the right syllable stress pattern to be sung to the tune of the original Teenage Mutant Ninja Turtles theme song. (Here’s the song, for reference.)
All of these titles are examples of trochaic tetrameter, which is one of the most common English meters (a trochee is a foot consisting of STRONG-weak and tetrameter is four feet per line). Another example is Twinkle Twinkle Little Star, although that has a deficient last foot, but you can sing any of these titles to that tune as well if you just double the last note.
Trochaic tetrameter creates a strong feeling of sing-song “poem-ness” in English. Most Shakespearean characters, for example, speak in iambic pentameter (weak-STRONG, five feet per line), which sounds more natural, but a few speak in trochaic tetrameter for dramatic effect. For example, MacBeth and Lady MacBeth speak in iambic pentameter, which gives the effect of talking normally: 

Methought I heard a voice cry “Sleep no more!Macbeth does murder sleep,” the innocent sleep,Sleep that knits up the ravell’d sleave of care,
Out, damned spot! out, I say!—One: two: why,then, ‘tis time to do’t.—Hell is murky!—Fie, mylord, fie! a soldier, and afeard? What need wefear who knows it, when none can call our powerto account?—Yet who would have thought the oldman to have had so much blood in him?

But the witches speak in trochaic tetrameter, which makes them seem like they’re delivering an incantation: 

Double, double toil and trouble;Fire burn, and cauldron bubble.
Fair is foul, and foul is fair

Previous xkcd on poetry: metrical foot fetish, ballad meter, trochaic fixation. Language Log also has a long, interesting post on meter. 

allthingslinguistic:

xkcd: Wikipedia article titles with the right syllable stress pattern to be sung to the tune of the original Teenage Mutant Ninja Turtles theme song. (Here’s the song, for reference.)

All of these titles are examples of trochaic tetrameter, which is one of the most common English meters (a trochee is a foot consisting of STRONG-weak and tetrameter is four feet per line). Another example is Twinkle Twinkle Little Star, although that has a deficient last foot, but you can sing any of these titles to that tune as well if you just double the last note.

Trochaic tetrameter creates a strong feeling of sing-song “poem-ness” in English. Most Shakespearean characters, for example, speak in iambic pentameter (weak-STRONG, five feet per line), which sounds more natural, but a few speak in trochaic tetrameter for dramatic effect. For example, MacBeth and Lady MacBeth speak in iambic pentameter, which gives the effect of talking normally: 

Methought I heard a voice cry “Sleep no more!
Macbeth does murder sleep,” the innocent sleep,
Sleep that knits up the ravell’d sleave of care,

Out, damned spot! out, I say!—One: two: why,
then, ‘tis time to do’t.—Hell is murky!—Fie, my
lord, fie! a soldier, and afeard? What need we
fear who knows it, when none can call our power
to account?—Yet who would have thought the old
man to have had so much blood in him?

But the witches speak in trochaic tetrameter, which makes them seem like they’re delivering an incantation: 

Double, double toil and trouble;
Fire burn, and cauldron bubble.

Fair is foul, and foul is fair

Previous xkcd on poetry: metrical foot fetish, ballad meter, trochaic fixation. Language Log also has a long, interesting post on meter

 

finestintheshop:

i love it when people misspell bawling and say that they’re “balling their eyes out” like ball so hard my motherfuckin eyes came out